Well Here I Am Once Again. Cant Help Getting Away From This Place.
"Behind These Hazel Eyes" | ||||
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Single by Kelly Clarkson | ||||
from the anthology Breakaway | ||||
Released | April 12, 2005 (2005-04-12) | |||
Recorded | 2004 | |||
Studio |
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Genre |
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Length | 3:19 | |||
Characterization | RCA | |||
Songwriter(s) |
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Producer(s) |
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Kelly Clarkson singles chronology | ||||
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Music video | ||||
"Behind These Hazel Optics" on YouTube | ||||
"Behind These Hazel Optics" is a vocal past American vocaliser Kelly Clarkson for her second studio album, Breakaway (2004). Information technology was written by Clarkson with the song's producers Max Martin and Dr. Luke. The song was released on April 12, 2005, as the second single from the album. Clarkson considered "Behind These Hazel Eyes" as one of her favorite songs and she once intended to proper noun Breakaway after the song. "Behind These Hazel Eyes" is an uptempo song that incorporates crunchy guitars which are pulsated with driving beats and anthemic choruses; it narrates Clarkson'south broken relationship with her ex-boyfriend.
"Behind These Hazel Eyes" peaked at number half dozen on the Billboard Hot 100 and stayed inside the tiptop ten in the chart for 15 weeks, a tape for the longest fourth dimension spent in the top x for a vocal that did not hit top five, until it was browbeaten by Rihanna'southward "Needed Me" in 2016. It too became Clarkson'south first song to top the Adult Pop Songs nautical chart. It was certified platinum from Recording Industry Association of America (RIAA) for selling over 1 million digital downloads. Elsewhere, the song charted in the acme ten in Commonwealth of australia, Republic of austria, Republic of ireland, Netherlands, New Zealand and the United Kingdom.
The song's accompanying music video was directed past Joseph Kahn and produced past Danyi Deats-Barrett. The concept of the video was conceived by Clarkson and depicts her every bit a bride who experiences some dream-like hints that her fiancé is having an affair with a brunette ceremony attendee. The music video premiered online at MTV and it likewise received heavy rotation on Total Request Alive. The song was performed live by Clarkson at numerous venues, including the Breakaway World Tour (2005) and the All I Ever Wanted Tour (2009).
Background and writing [edit]
In 2004, Clarkson flew to Sweden to collaborate with Max Martin and Lukasz "Dr. Luke" Gottwald for her album, Breakaway.[2] Clarkson and Martin were interested in turning in a more than rock direction, as opposed to the "slick pop" with which they were identified. The songs "Since U Been Gone" likewise as "Backside These Hazel Eyes" were the products of their collaboration.[2] According to Dr. Luke, "Behind These Hazel Eyes" was sent to Clarkson without any lyrics as part of an olive branch to the singer. He explained,
We had just done with "Since U Been Gone," which everyone was happy with. We sent a rough version of "Behind These Hazel Eyes," without whatsoever lyrics, to Kelly and Clive Davis. Information technology was in office an olive branch to Kelly, because there was miscommunication on "Since U Been Gone," where Kelly had written some lyrics and Max and I didn't know about it and we had finished the song. Then nosotros wanted to write "Behind" with her from the beginning, but nosotros were in different places. She had only won "American Idol" and was on tour, so she'd email me lyrics, and I'd electronic mail her my thoughts.[3]
In an interview with Amusement Weekly, Clarkson explains that "Behind These Hazel Eyes" is "well-nigh the dipstick who completely screwed up and at present is unhappy and you lot're happy."[4] She too considered the song as one of her favorites that she once intended to name Breakaway later on the vocal.[5] Critics speculated that the song reflects Clarkson's break-up with David Hodges, an ex-member of Evanescence. According to MTV, the vocal was originally written prior to the suspension-upward. Nonetheless, Clarkson decided to tweak the song lyrics after breaking up with Hodges to express her emotional hurting.[6] Clarkson besides said that the song almost did not make information technology into the album.[vii] She explained, "Information technology had different lyrics in the beginning [...] I ended up calling Luke [Lukasz Gottwald], the author, and we did a totally unlike song to it. It's now my favorite song on the tape. Crappy relationships [make for] a good vocal."[7]
Composition [edit]
"Behind These Hazel Eyes" is a power ballad that was written by Clarkson, Max Martin, and Dr. Luke and produced by the latter two.[7] [8] According to the sheet music published at Musicnotes.com by Alfred Publishing, information technology is set in mutual time and has a moderate tempo of ninety beats per minute. It is equanimous in the cardinal of F sharp pocket-sized with Clarkson'southward vocal range spanning over 2 octaves from F#iii to F#5.[9] The bridge was the simply part of the song that was written past Dr. Luke and Martin together with Clarkson face up to confront.[iii] The song begins with Clarkson wailing "oh oh oh" over a restless percussion.[10] In the first verse, the music becomes tranquillity to focus on Clarkson'due south vocal every bit she wails "Seems like just yesterday/Yous were a part of me/I used to stand then alpine/I used to be and then strong/Your arms around me tight/Everything it felt so correct/Unbreakable like nothing could go wrong."[ten] During the chorus, the sound of electronic guitar is ascendant as she vocalizes "Here I am/One time once again/I'm torn into pieces/Tin can't deny it/Can't pretend/Simply thought you were the ane/Broken upwards deep within/Just y'all won't become to see the tears I cry/Backside these hazel eyes."[10] Gil Kaufman of MTV noticed that the song "soared on crunchy guitars, driving beats and anthemic, agitated choruses."[11]
Lyrically, the song narrates the story of a failed relationship which initially started off well. Clarkson regrets having allowed herself to be vulnerable to her ex-fellow and she is determined that despite the hurting that she feels, he volition non get the satisfaction of seeing her cry.[12] Michael Paoletta of Billboard praised Clarkson's song, writing "Clarkson simply delivers a loose, tour-de-forcefulness vocal that simmers alongside a steroid-charged musical properties that is fun, fast and furious."[13] Scott Juba of The Merchandise praised the production of the song, writing "The song'southward potent hook pulls listeners in and involves them in the lyrics without e'er becoming gimmicky or manipulative." He also complimented Clarkson'southward vocal which "oscillates betwixt hurting and defiance with near pinpoint accuracy."[14]
Reception and accolades [edit]
Elizabeth Scott of Heaven Living wrote, "while Clarkson is doing well musically, her beloved life still hasn't picked upward and she is heartbroken once once again. I'm sure the thought of another top ten striking might cheer her upwardly!"[15] Scott Juba of The Trades considered "Behind These Hazel Optics" as the highlight of the anthology, writing "At present that [Clarkson is] a few years older than she was when she recorded her starting time album, she brings more than authenticity to relationship songs."[14] Evan Sawdey of PopMatters compared "Don't Permit Me Terminate You" (2009) with "Behind These Hazel Eyes" saying that the quondam "may sound like another rewrite of an older Clarkson striking (in this example, "Behind These Hazel Eyes"), but the observational lyrics about a questionable relationship are what ultimately makes the whole affair click."[16] Charles Merwin of Stylus Magazine felt that the song should sell records more considering "the entire musical backing drops out to allow Clarkson'due south vox through to live or dice on its own."[17] Pam Avoledo of Blogcritics believed that "Behind These Hazel Eyes" was superior to the writing of "Since U Been Gone", commenting that "Information technology'due south punchier, well-written and gives Clarkson a chance to evidence off her song skills without the trendy haughtiness."[x] Joe Cross of Cox Communications thought that "Behind These Hazel Eyes" was a decent follow-up to "Since U Been Gone", saying "It's no "Since U Been Gone" which is only a popular-rock juggernaut, but as follow-ups go, it'due south not besides shabby. Clarkson's down-habitation everything (well, by and large her looks) sells these little heartbreak haikus exceptionally well." He also listed "Behind These Hazel Eyes" as one of the 40 songs that defined the summertime of 2005.[18] The aforementioned sentiment was echoed by Robert Copsey of Digital Spy who considered the vocal equally Clarkson's second best single later on "Since U Been Gone", writing "It proved a tedious burner at the time of release, but this track's greatness continues to be realised over time."[19]
"Behind These Hazel Optics" was listed at number five on Billboard mag'southward list of Songs of the Summer of 2005.[20] In 2015, the same publication ranked the vocal at number 4 on its listing of Tiptop 100 'American Idol' Hits of All Time.[21] It also appeared at number three on the list of Kelly Clarkson'southward Summit 15 Biggest Billboard Hot 100 Hits.[22] Chris Kal of WKNS ranked "Behind These Hazel Eyes" at number 4 in his list of "Top ten Summer Songs From 2005".[23] Sam Lamsky of PopCrush described the song as "a surefire fan favorite" and ranked it at number nine in his list of "Top 10 Kelly Clarkson songs".[5] Bill Lamb of About.com put the song at number 62 on his listing of "Top 100 Pop Songs of 2005".[24] The song was nominated in the category for Song of the Yr: Mainstream Striking Radio in the 2005 Radio Music Awards.[25] At the 24th ASCAP Popular Music Awards, the vocal was honored with the Well-nigh Performed Songs honor.[26] In January 2010, "Behind These Hazel Eyes" was the 5th near played song of the concluding decade by American Idol performers.[27] According to Nielsen Broadcast Data Systems, the song has been played 513,149 times through the week catastrophe March 24, 2010.[28]
Nautical chart functioning [edit]
"Behind These Hazel Eyes" debuted at number eighty-seven on the Billboard Hot 100 on the week ending, April 23, 2005.[29] The vocal stayed inside the peak 10 in Billboard Hot 100 for fifteen weeks before peaking at number six on the week ending June 11, 2005.[30] [31] [32] It consequently held the record every bit the song with the most weeks in the chart'due south top ten without hitting the top five, before being surpassed by Rihanna's "Needed Me" which spent sixteen weeks in the top 10 but only peaked at number 7, 11 years afterwards in 2016.[33]
On the calendar week ending May 28, 2005, "Behind These Hazel Eyes" jumped from number seven to number three on the Billboard Pop 100 Airplay chart.[34] With "Since U Been Gone" holding steady at number two, the ascent made Clarkson the start artist with two songs in the height three of the chart.[35] The song also appeared on the The states Pop Songs at number thirty on the week catastrophe April xxx, 2005,[36] and peaked at number two on the week ending July ix, 2005.[37] It spent vii sequent weeks at number two and was held off the top spot past Mariah Carey's "We Belong Together". It became the sixteenth ranked single of the 2000s decade on the Popular Songs chart compiled by Billboard.[38] On the Billboard 's Radio Songs, the song peaked at number four on August 6, 2005.[39] On the calendar week ending August 27, 2005, the song topped the Adult Top 40 and stayed in the position for 5 consecutive weeks.[xl] [41] On Jan 31, 2008, "Behind These Hazel Optics" was certified platinum past the Recording Manufacture Association of America (RIAA).[42] The song has sold 1,644,000 digital copies in the United States every bit of September 2017.[43]
Internationally, "Behind These Hazel Eyes" was a commercial success. In Australia, the song debuted and peaked at number six on the week ending July 3, 2005.[44] In New Zealand, the song entered New Zealand Singles Nautical chart and peaked at number 7 on the week ending July iv, 2005, every bit the highest debut of the week.[45] In the United Kingdom, the song also debuted and peaked at number 9 on the calendar week ending October i, 2005.[46] In Ireland, the song debuted at number nine on the week ending September 22, 2005,[47] and peaked at number four on the week ending November iii, 2005.[48]
Music video [edit]
Background and release [edit]
The music video was directed by Joseph Kahn and was produced past Danyi Deats-Barrett.[49] It was shot for two days in Apr 2005 in Toronto at a Church and a sound stage while Clarkson was on tour.[50] According to Kahn, Clarkson was sick during the production and could non speak. During Clarkson's wardrobe plumbing equipment, they communicated together using notes written by her.[51] Though she is seen speaking and is interviewed in the behind the scenes footage.[52] Access Hollywood reported that a single sprinkler was used to produce pelting in the music video. The concept of the music video was conceived by Clarkson. She explained, "The whole thing is a metaphor about a broken fairy tale [...] You call back everything is going well, and and then reality kicks your butt. Information technology'southward kind of a pitiful video, simply it'due south going to be my best ane. It's real, and that's why people similar me."[l] Clarkson as well added that after the production of the music video was completed, she had bruises and a green-and-yellow splotch on her left biceps.[l] The music video premiered online on May 9, 2005, on MTV.[53] On May sixteen, 2005, it premiered on Total Request Live where it debuted at number v on the chart the following day.[54]
Synopsis [edit]
The music video begins with Clarkson continuing in a room wearing a white wedding ceremony apparel. Property a bouquet of red roses, she is surrounded by her bridesmaids as they prepare for her nuptials. She sits downwardly on a sofa and sees a nuptials photograph of her fiancé with another woman as a storm grows outside. The bridesmaids are unable to close the windows so they run out of the room leaving Clarkson alone, who is seen dropping the bouquet of rose as well as the hymeneals photograph from her hands onto the floor. The adjacent scene shows Clarkson walking downwardly the aisle in a church building wearing a blackness dress. She sees a bride standing at the altar with her fiancé, getting married. When she draws the veil of the bride, she realizes that the bride is the woman from the photo.
Clarkson, who is now wearing a white nuptials apparel, runs out of the church and into a dark swamp. A montage of Clarkson singing with her ring in a dark swamp is shown alternately with scenes of Clarkson running in the forest and lying on the ground. Clarkson is also seen standing inside an abased firm, wearing a voluminous blackness dress. Equally the rain starts to autumn, Clarkson finally collapses, kneeling on the ground while looking at and being comforted by her other cocky who is singing with the ring.
The scene shifts to a present solar day, where Clarkson is standing at the chantry, exchanging vows with her fiancé. Before he puts the ring on her finger, she looks at the guests and notices that the woman from the photo is amidst the audience. She sees her fiancé exchanging a grin with the woman as the woman blows him a kiss. Clarkson so reaches for the ring and throws it at her fiancé, before running away from the altar. She throws her wedding boutonniere into the lap of the woman and shoves her mode by the nuptials guests who are trying to stop her from leaving. The video ends with Clarkson stepping out the doors into the bright sunlight.
Reception [edit]
James Dinh of MTV Newsroom listed "Behind These Hazel Eyes" as one of the music videos with "a bad case of the runaway bride syndrome," writing, "Throughout the clip, Clarkson finds herself running through a swampy mud land until she snaps out of her visions, refuses to proceed with the wedding and makes a shocking escape out of the church."[55] Andrea Holmes of AOL ranked "Backside These Hazel Eyes" at number five in her list of "Top Wedding Music Videos: 15 Clips for the Big 'I Do'." She commented, "The perfect analogy of our point about wedding ceremony videos, 'Behind These Hazel Eyes' takes an atypical approach to marriage [...] Throughout the video the weather is dark and rainy, matching the story line, merely when Clarkson ditches the wedding ceremony and runs out of the church building, she is greeted with sunshine.[56] Johnni Macke of E! opined that the video was intense, writing "She is heartbroken and "torn into pieces" throughout the video once she discovers her love is marrying someone else and it results in epic cemetery rock sessions and rolling in the mud."[57] Lyndsey Parker of Yahoo! Music put the vocal's music video at number 22 on her list of the best spousal relationship-themed musical videos of all time.[58]
In an interview with MTV, the lead vocalizer of Yellowcard, Ryan Key, praised Clarkson in the music video. He said, "She is and then unbelievably gorgeous in that video that is all over TV right at present [...] The wet wedding dress and the moisture hair and ... come up on, man! Who knew? She is then hot. She looks and then good in it."[59] Robert Copsey of Digital Spy opined that the music video is Clarkson'southward best video to date.[nineteen] The music video had a successful run at Total Request Live where it topped the chart for 33 days, a record that Clarkson holds for the longest stay by a female artist at number one on the chart.[60] [61]
Live performances [edit]
"Behind These Hazel Eyes" was included in the setlist of Clarkson'southward Breakaway Earth Tour (2005). During her concert bout at Germain Loonshit, Clarkson performed the song wearing the same wedding clothes she wore in the song's music video.[62] Clarkson also performed "Behind These Hazel Optics" on her All I Ever Wanted Bout (2009). While touring at Hammerstein Ballroom, New York City, Clarkson sang the stripped down version of the song, accompanied past guitars and vocal.[63] Caryn Ganz of Rolling Stone felt that Alanis Morissette's influence was evident on the chorus of "Behind These Hazel Optics" which was performed acoustically in the event.[64] Clarkson explained that the organization was intended to maximize audience sing-forth potential in which Jim Cantiello of MTV thought was constructive.[63] In December 2011, Clarkson also performed "Behind These Hazel Eyes" on Chicago Theatre as function of the Miracle on State Street benefit concert. Bob Gendron of the Chicago Tribune reviewed Clarkson's performance, writing "the Texas native could've impressed simply past projecting her booming voice and relishing its prodigious range. Yet she seemed determined to reinforce female empowerment themes often missing from her mainstream-pop contemporaries' hits."[65]
Cover versions [edit]
"Behind These Hazel Optics" was covered by Cassadee Pope in the third flavour of The Voice. According to Pope, she decided to sing the song in social club to reach out to her father who divorced from her mother when she was even so 11 years old.[66] Her rendition was praised by Christina Aguilera saying, "I got to feel your heart."[67]
Track listings [edit]
- Digital download and CD single [68]
- "Behind These Hazel Optics" (Album Version) – iii:16
- "Behind These Hazel Eyes" (Live @ Sony Connect) – 3:39
- "Backside Theze Hazel Eyes" (Enhanced CD Video) - 3:sixteen
- Backside These Hazel Eyes – EP [69]
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Edit) – 3:29
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Remix) – five:24
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Mixshow Instrumental) – 5:25
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Top 40 Radio Remix) – 3:10
- "Behind These Hazel Eyes" (Joe Bermudez & Josh Harris Acappella) – two:58
Credits and personnel [edit]
Recording
- Recorded by Max Martin, Dr. Luke, Lasse Marten and Kevin Yard. Guarnieri at Maratone Studios, Stockholm, Sweden and Dr. Luke's NYC & Westlake Audio, Los Angeles, California.
Personnel
- Kelly Clarkson – atomic number 82 vocals and background vocals
- Shawn Pelton - drums, background vocals
- Dr. Luke – producer, instruments
- Max Martin – producer, instruments
- Johan "Brorsan" Brorsson – pro-tools engineer
- John Hanes – pro-tools engineer
- Serban Ghenea – mixing
- Tim Roberts – mixing assistant
Credits adapted from the liner notes of Breakaway.[70]
Nautical chart positions [edit]
Certifications [edit]
Release history [edit]
References [edit]
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{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ "Kelly Clarkson – Behind These Hazel Eyes". ARIA Top 50 Singles. Retrieved March 8, 2012.
- ^ "Kelly Clarkson – Backside These Hazel Eyes" (in German). Ö3 Austria Top 40. Retrieved March eight, 2012.
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{{cite web}}
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Source: https://en.wikipedia.org/wiki/Behind_These_Hazel_Eyes
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